I Taught Language Arts at Hogwarts for 26 Years.

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I taught Language Arts at Hogwarts Academy for 26 years.  I’m not in any of the movies about Harry Potter, but that’s because in scenes with the faculty I’m usually 6-9 inches out of the camera’s view.  When I watch the films, once in a while I’ll see the back of my head with my bald spot: there I am!

One of the main reasons why I’m not in the movies is simply because nothing exciting happened in my Language Arts classes.  I was pretty upfront with my students on the first day.

They would ask: “You’re a storyteller, right?  We get to read the great stories of wizards, right?”

“No,” I’d say.  “Just the rules of language.  And spelling.”

I would stride into the class like I was being chased by Dementors (a trick I learned from my bridge partner, Professor Snape) and pull out my wand.  I declared, “Extemporaneous!”

The older kids would, quickly, scan their spell books for this command; it wasn’t there.  They’d ask me what’s the power behind this new wand command.

I’d tell them, “There will be no spells in my class, no poems, and no quick magic.  I want you to use your brains and tell me what you’re thinking.  That is my only wand command.”

Yeah, I was probably the least popular teacher at Hogwarts.

Harry Potter, by now, has probably forgotten my name.  I had him for his first three years.  The boy was convinced that the world was going to end unless he saved it, so he did very poorly at spelling tests.  His penmanship was awful, his essays were always late, and he never knew the difference between “their” and “there”.

I told him grammar mattered and I knew he didn’t believe it. (To be fair, his best friend Hermoine was in a coma because of some spell.)

 

 

For a few years, I also taught PE at Hogwarts, which was really hard.  All of the PE students were kids who didn’t make it into the Quidditch team and were often so uncoordinated that they couldn’t stay on a flying broom for more than five minutes.

For those who couldn’t fly in the air, there was flag football.

Playing flag football at Hogwarts was always depressing.  First of all, it was next to the Quidditch fields so other kids would be flying around, doing mythic moves and historic plays while we were running around in polyester shorts and shirts, shuffling around the field trying to pull each other’s flags.

I had two rules: 1) No magic while playing flag football. 2) You have to run at least three times during a period.

Most of my PE kids just formed a line – quite slowly – and then shuffled towards each other.  At the end of my time, we lost the football and continue to play: no one noticed.

When you watch the movies and they show the Quidditch tournaments, everyone is into the game.  They’re cheering, casting spells, and rooting for the team.  If only the camera could do a wider shot it would reveal a group of slumping students, working on their homework, and facing in every direction except the Quidditch game.

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Yeah, those were my PE classes.

 

 

 

I liked Dumbledore and I think he liked me. He once asked me to proofread one of his convocation speeches.  Half the sentences were grammatical impossibilities and the other half read like someone talking in their sleep.  I made the corrections and sent it back to him.

“My,” the Grand Wizard said.  “That’s a lot of red ink!”

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“Sorry,” I said with a shrug.  “That’s just me, practicing my magic.”

He laughed at this. His laughter was something I always kept with me.  Whenever I ate my lunch alone or struggled with the bored looks on my students’ faces, I heard Dumbledore’s laugh and it kept me going.

When there were nasty words written in blood on the halls of Hogwarts, I mentioned that there were a couple of dangling participles in the warning.  My comment didn’t make it into the film.  Dumbledore turned to me and looked at me above his glasses.  “Talk to me in the morning.  That might be the clue we need,” he said.

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Turns out, it wasn’t.  By the time I met with Dumbledore, Harry had already made his way to the Chamber of Secrets and fought a dragon and saved the world.   However, it was my idea, once everything was cleaned from the Chamber, to turn it into storage for our Christmas decorations. That recommendation also didn’t make it into the movies.

When Umbridge took over, she left me alone.  I was the only teacher who didn’t get a visit from her in my class.  She was a bully and nasty and horrible, but she paid me the greatest disrespect by ignoring me completely.  In fact, I don’t think she knew I was on the faculty.

Dumbledore returned and his final year was spent visiting my class often.  I’m not sure why, but his presence became less of a supervisor and more of a friend.

At his departure, the school raised their wands in honour of him.  I didn’t have my wand; instead, a laser pointer.  It worked.  It also was Dumbledore’s favourite gizmo of mine.

“Yeah, the batteries last forever,” I said to him one day when he was admiring it.

“Eternal batteries?” he asked in wonder.

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“Not really.  They’re just well built, small, and last a long time.  Hard to find, though.”

He laughed and I heard his laughter when I raised my laser pointer on that cold night at Hogwarts.

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I love to garden and I grow food.

One day, when things were getting really bad at Hogwarts, a group of students visited me and asked why I didn’t use any magic to grow my plants.  “It would be faster than all the work you’re doing,” a little girl said.

“I know,” I said.  “But that would be missing the point.  Most good things in the world take time, take work.  Sure, a bit of magic is great and wonderful.  And yet, to live off of that would miss labour, mistakes, and working with things and people.  When you work at something and with someone, there’s more of a chance to love what you do and who you’re with.  And isn’t love the greatest form of magic?”

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“Who said that?” one of the students asked.

“Dumbledore,” I answered.  “And magic isn’t just in the instantaneous or the dramatic, but the everyday things of our world.”

“Did Dumbledore say that?”

“No, I think Wordsworth did,” I said.

“Is he a wizard?”

“No, he was in last week’s reading.”  They left me to work in my garden and that year, I grew hundreds of carrots.  I shared them and everyone asked me what kinds of spells I used to grow them.   “I cast the spell ‘Extemporaneous’.”

 

 

 

When Voldemort had his showdown against the school, I wasn’t there.  Instead, there was a gas leak in the school’s basement I had to get to.  It was absolutely scary: the whole building could have been flooded with gas.

I repaired the pipes and fixed everything right about the time someone found me and told me the story.  I was glad that Neville got to play a part in saving the world, I was proud of Harry, and glad that the baddies didn’t win.

It took several months to clear the rubble of Hogwarts and get it rebuilt. Many of the builders didn’t use magic, at least when I was working with them.  For some things, there wasn’t any other way: we had to raise our wands and cast a spell.  But for most everything, we wanted the school to be rebuilt by love and that’s how we worked. If Hogwarts went up again, magically, the next day, I don’t think we would have loved it as much.

No, we wanted to use the strongest magic we knew: love.

I came back to teach one last year before I retired.  I began my class without a wand, but a laser pointer.  I commanded: “Extemporaneous!”   No one laughed.  Instead, they searched their books for the spell.   Somewhere in the halls where they hang their portraits, I heard Dumbledore’s ghost chuckle.

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Cognitive Landscaping Inc.

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This past year, I wrote a short story about a woman who woke up in a world that kept changing.

She’d walk through a bedroom door only to find herself in a shopping mall from her childhood home and then walk outside to find herself in a backyard of a friend.   Every setting was linked to another setting not by geography, but emotion.

Dreams are like this.  Ever have a dream that took place in California and Germany at the same time?  Or something similar like these two mismatched settings?

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Our brains/minds/souls are funny machines.  When we dream, we match the setting with our mood.  Let’s say we’re in a nightmare, our brains usually don’t put us in something universal (EX. a haunted house, an abandoned hospital, a graveyard, etc.), but somewhere stressful that’s personal to us (EX. our Aunt’s kitchen, our Middle School hallway, our dentist’s office, etc.).

This, of course, is the difference between myth and dreams.  With the settings of mythology, we can all agree that a labyrinth means mystery; in a dream, a mystery can be conveyed by a trip to our father’s den or at the library of the University we attended back in the 1990’s (or whenever is for you…or not).

In his book “Hero of a Thousand Faces”, Joseph Campbell puts it best:

“Dream is the personalized myth, myth the depersonalized dream; both myth and dream are symbolic in the same general way of the dynamic of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problems and solutions sown are directly valid for all mankind”

I’ve called these places in my dreams “Cognitive Landscapes”.   In my short story, the heroine travels through her own Cognitive Landscapes to escape a peril in that world.

Dreams are personalized myths.  What is interesting is that the symbols then are personalized, in dreams.  For me, I might be visited by a clown and that might be an image of whimsy, joy, and celebration; for others, pure terror.  Some might then wonder- “Are cognitive landscapes part of every human brain?  Are they the same?  Like what Carl Jung would have us believe?  Or are they all part of the power of nurture, shaped about experiences and travels through this planet Earth?”

I’m not sure; beyond my pay-grade as a minister in the Anglican Church of Canada.  However, my encouragement is to first listen to your dreams and that journey might take you closer to the answer to these questions; ignore your dreams, you won’t find the answers in books alone.

Myth and dreams are funny because part of our job, as humans, is to listen to our dreams and myths to pick out what are shadows of truth and which is just unlabelled fears or shadows.  C. S. Lewis, in his book “God in the Dock”, argues that the story of Christ is “myth that became real”.

I mean to bring this up not to create a tent meeting on-line or to evangelize to you, but to propose that myths and dreams can be arrows to which we can understand truth.

For further peaks into this interchange, follow this link: https://www.thegospelcoalition.org/blogs/evangelical-history/85-years-ago-today-j-r-r-tolkien-convinces-c-s-lewis-that-christ-is-the-true-myth/

But a key question to ask is “Why do I feel the way I do?” when you see a place or dream a setting?  Does that place remind you of a Cognitive Landscape from your past?  When you revisit a place, what are the ghosts?  The memories?   How does that particular colour of blue effect you?  What does the wind taste like?

Here are some of my Cognitive Landscapes:

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This is not my actual fireplace, but one that exists in my mind. Fireplaces, for me, are a vivid image of hospitality. If done properly, the furniture near the fireplace either faces each other or the flames from the hearth. Implicit in the design is that human conversation and the comfort of the fire is the main interest, not a wide screen TV or a home entertainment system. It’s also designed to still be a functioning room in darkness, that people will stay even though it gets later and darker. This design relies on storytelling to be it’s engine behind function.

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Basements still feel new to me. In California, few houses had them as they were considered a hazard in our earthquake country. In High School, I bicycled with my father across Iowa and was billeted in homes that had basements. “Finally!,” I thought: these homes have a basement, a proper soul. Back then (as I feel today), a building that has a basement is a structure with a soul. It’s the underneath of a building, the room(s) of identity that support the main floors, the showcase rooms of the rest of the house. Basements are the subterranean heart of a place.

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I couldn’t pass up the chance to include the river valley of Edmonton. In order to hike and see a view, you have to go down and not up. There’s something mythic a primordial about having to travel down and even using a staircase. Like fishing for a a great idea or reaching into one’s self, you’ve got to go down a staircase. But where does it lead to? What’s around the corner? Does it even end? No promises, just a descent.

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I grew up in Northern California, thinking that all trees were huge and near eternal and that a forest only had one kind of a sweet, conifer smell. I thought every home could take a small drive to the ocean and, in fact, all creeks lead to an ocean. I took the all for granted until I moved to the urban world of LA and then the poplar world of Canada. However, when I dream, all the lakes feed to the ocean and a sequoia costal redwood is always sharing a forest with a cactus or a birch. In dreams, things are connected.

The most important thing with this post is for us to listen to our own cognitive landscapes.  Share them.  And find the meaning for they could be the ambassadors to a greater truth just beyond our dreams and myths.

 

 

 

 

 

How To Find Eric’s Writing

I love blogging, preaching, and storytelling, but fiction writing has been my first love.

As mentioned in a previous blog, here is my first novel:

Calling this a “Steampunk” novel would be selling it short.  It has some of the trappings of that genre, however it’s a bit more than that.  Yes, there’s the “What if” of steampunk: what if the Victorian world turned to steam power instead of combustion science, what if Charles Babbage’s early computer was embraced and beget a 19th century digital age, what if the roles of women were more blended with men, etc…

https://www.kobo.com/ca/en/ebook/exhaust-from-the-tin-woods-1

However, the shift from this world comes with the question: “What if Western Canada caught up with all of these changes?”

https://www.barnesandnoble.com/w/exhaust-from-the-tin-woods-eric-j-kregel/1128255151?ean=9781988327426

It is an adventure novel, a meditation on science, and a quirky romance.  Check it out.

This novel is part of a greater network called InUPress.  Here’s my author’s page:

https://inupress.ca/store/Eric-J-Kregels-writings-c23290277

InUPress publishes mostly science fiction and fantasy.  Along with my writings, it features the work of Rusty Knight/Kenneth Shumaker.  You can check out Book 1 of his Laret series:

https://inupress.ca/inupress-books/larret-army-rising-souls/

I love the fantasy world of Laret.  Shumaker does a great job of world building, giving the world lore and substance and weight.  As well, he has written some really well-rounded characters (Side note: G is my favourite).  If you want to take a break from the mainstream and sample this underground publishing, “Laret’s Army” would be a good place to start.

If you want to check out Shumaker on his Virily page, here it is:

https://virily.com

And if you want to check out InUPress, get involved, submit feedback, and pick up some good stories, follow this link:

https://inupress.ca